
| Catalog Number | 12-003 |
| Format | Standard Play CAV |
| MPAA Rating | ![]() |
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| Running Time | 132 minutes |
| Release History | |
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On the audio front, DiscoVision elected not to transfer the Sensurround effects in this release. However, the disc contains wonderful full range audio with good low end for those explosions. I was take off guard during the aforementioned opening title sequence by the shaking I received due to the bomb explosions. Some feel the extended low frequency response of the disc is by mistake, characterizing it as "film bump" (over modulation of the optical track). I tend to discount this explanation since a optical distortion of this type would produce sounds other than a well defined rumble.
Disc replication is spotty depending on when the particular copy was made. Most of the earlier pressings are much better (as was typical), but side 2 had an extremely high defect rate and troubles with laser lock through the first 4,000 frames.
On the film front, it feels as though the film we are seeing is a last minute hatchet job trying to bring the film down to a marketable running time. Poorly mixed music and choppy edits during the last 45 minutes of the film seem to indicate a much longer version exists. The fake blood and cheesy acting, typical of Universal films of this scope during the 1970's, make this feel like an over long TV movie.
The initial DVD release of Midway (as licensed through Image Entertainment) had the same opening sequence color scheme of the DiscoVision transfer, with the wonderful colors of the Widescreen LaserDisc release. However, there are literally no low end frequencies on the DVD and as a result, the soundtrack suffers.
The Image Entertainment DVD was withdrawn at the end of Universal's contract and Universal then produced a brand new anamorphic transfer of Midway and released it on DVD in October 2001. This new edition is billed as a "Collector's Edition" and features a restored Sensurround soundtrack as a .1 LFE channel, the color corrected opening credits along with a handful of featurettes. Part of the bonus materials include some (but not all) of the footage shot specifically for the TV edit of the film.